Ill keep you posted about my new workshops and painting courses starting this september!
I must say it wasnt easy coming back after 2 months of intensive deity- drawing-training and then going back to ‘normal life’.
My body and mind became suddenly out of balance after my return back home and I needed to find my way again in living and working.
Struggling inside with missing the calmness, connection to India and her deities, especially the focus I had for all these weeks working.
How wonderful it was seeing my family and friends again and being in my own cosy home with my greatest love and Mimoes-cat.
Cooking Indian curry, Dahl and eating the ultimate Poppadums (Pappad’s) I love so much keeps me in contact with a bit of India I tasted overthere.
I am still in contact with a few amazing students I met at the Center of Living Buddhist Art. It feels really good to talk to them and see what beautiful experiences they are having and to also see the painting stages of their Thangka painting. It is inspiring to be connected with them in our similar interest in Buddhist art and Buddhist way of living and thinking.
I CAN TRUELY SAY I AM BACK ON TRACK! ♥
Enjoying my job at the shop selling artmaterials and giving advice to people about products and techniques they can use. I am so much enjoying my days off and working at home, bringing the deities to live. I have worked on some new Thangka drawings and started painting again, really missed working with the brush.
Filled with new ideas, back to creating, and going for the middle line that is called balance. Taking care of mind, body and soul.
I started on a window drawing of Lord Shiva at Yogacenter Tilburg. My time in India working with the deities gave me more certainty and belief in what I am creating. And I believe you can also see this in my new artwork…
The first drawing of a deity that I designed myself; Thangka-flowers, clouds and animals are all new to me. How much I enjoyed creating something new and old at the same time. Bringing the old tradition of drawing and new ideas into one piece.
Creating a new design for a small painting with Dharmaprotector Mahakala and my own dragon Numbla, whom I encountered during a meditation.
It has been a week already, since I came back from India to my home and loved ones.
I feel so blessed to be able to go on this amazing adventure in India and I feel very grateful for all kind of things;
my boss, for giving me the three months off from work and being very tolerant about it.
My teachers Sarika Singh and Master Locho for teaching me how to be a part of the devine buddhist art and supporting me to get the best and most beautiful out of this sacred art.
Lobsang, manager and the aunties for helping out in all different ways.
The other students at the Center for Living Buddhist Art ( you know who you are 😉 ) they made me feel comfortabel right from the start. We have had lovely caring and inspiring conversations, so much fun and we have seen beautiful things together. Thanks you so much!
people back home for supporting me with love and understanding ♥
and of course myself, for giving myself the opportunity to learn new things, travel and allowing to grow in my art and as a spiritual being.
I have met amazing and beautiful people and great, almost indescribable experiences that maintain a place in my heart.
Thangka painting is an artform far beyond the activity of painting and drawing with materials. It brings devine and blissful energy to the painting, the artist and the one who looks upon the devine images.
I fell in love with this artform, Thangka lives in my heart now.
Its difficult to describe the feelings that occur when I look at the devine paintings in the monasteries or the Thangka’s my masters make at the artcenter. The thing I can say; it touches me deeply inside and gives me a warm and loving feeling that brings joy and happiness only looking at these miraculous devine depictures.
I think this says enough about my journey so far…
With love and kindness always in my heart, cant wait to see what this year will bring ^_^
Only one more week to go… how time flies by.
I have been working 6 days a week, sometimes 7 with 6 to 7 hours a day at the Center for Living Buddhist art. It feels I have learned so much about many different things such as drawing in detail and making tiny lines, getting to know more about each deity in shape and their special qualities aswell as getting familiar with their names. I know more about the practise of buddhism, the teachings of love and compassion and how buddhism and buddhist art is helping people to look inside to their own demons and poisonous thoughts (negative thoughts like hatred, ignorence and greed in any degree). I know a bit more about the Indian culture as in food, religion, social behavior and celebrations. I have learned to live and work in a community with people I didnt knew before I came here. Living and working together, sharing, taking care of each other, give space and also take your own space and place. It is a good way to get teachings about life experience and our own behavior paterns.
I have been working with great enjoyment and good focus for the last 7 weeks. I also stumbled into some of my own demons, this gave me room to think things over and relax a bit more afterwards. Working with the deities brings me much joy and also makes me be more aware of my feelings and belief system.
Avalokitesvara with 11 heads and 1000 arms. See the video below and you get an idea how this drawing is coming alive.
I have had an exciting week with meeting new local people and their festivities, helping out with a workshop at the artcenter and doing the most crazy but exciting thing, paragliding! ♡♡♡
Another wish came true with paragliding of the mountain. It was an amazing and very peaceful experience ♡♡♡
Living at the Center for Living Buddhist Art for over 5 weeks, I am getting more acquainted with the Buddhist way of life around here. I have participated teachings of the Dalai Lama, visited monestaries and temples, reading books and articles about different deities and buddhism, introduced to interesting people around the center, taking time to relax and listen to mantra songs, meditate, practise yoga and eating good Tibetan and local Indian food. Next to this lovely program I have been drawing 12 different drawings of deities and currently working on the 13th.
Studens have been coming and going but mostly I have been living with 5 other people at the center. Every time someone leaves or new students arrive the group energy changes. It is interesting how the mind deals with change and new settings in our space of living and working. A perfect way to apply the buddhist thoughts of compession and look inside to learn more about yourself.
The conversations and teachings of Sarika Singh and master Locho have been eye opening for me. They have shown me their devotion for Buddhist art and especially Thangka painting. I know and feel now that working with the deties is a miraculous process for body, mind and soul. Drawing and painting these deities helps the artist to seek and look within aswell as the observer.
This is said about Thangka painting in the teachings of Sarika Singh and master Locho;
The iconography of the Thangka is rich in information about the spiritual practice of Buddhists. A Thangka can assist a meditator to learn and embody the qualities of a particular deity or to visualize his or her path towards enlightenment. It can bring blessings on the household that posesses a Thangka and serves as a constant reminder of Buddha’s teachings of compassion, kindness and wisdom.
I want to show you some pictures of the surroundings, people I have met, good food and things I have been inspired by in the last 1, 5 week.
Being at the Center for Living Buddhist art it is not all about creating art yourself every day. It is also very good to feed the mind, body and soul with inspiration from other places like temples, nature, books and good food.
I want to show you more about where I have been living for the last four weeks and what places give me the happy and joyfull feeling of inspiration.
One of the most special events I have experienced was the day the Dalai Lama, his holiness, gave his teachings at his temple. The whole area was crowded with different kind of monks, Buddhist people and visitors who wanted to listen and experience his presence. His holiness gave a public teaching about Buddhism for almost two hours. This gathering was a unique opportunity for me to get to know the Buddhist way of prayers and chanting, it became an experience with true feelings of bliss.
I am so amazed of the colorfull and detailled artwork there is in all the places I visited. The best quality craftmanship and so many vibrant colors it gives my body, mind and soul shivers of joy. The beauty of these places is hard to explain in words because it is seen with all senses. You can feel the awareness and presence these places have by doing rituals and prayers over a long period of time.
What a great feeling to be inspired! ♡
I have been at the Art Center of Living Buddhist Art for 2, 5 weeks now and it feels so good to totally concentrate and focus on my drawing. I am more and more excited about it every day. I enjoy getting to know the curves, shapes and qualities of each deity. Every day (mostly sundays are off) we work for 6-8 hours in the studio practising the steps to create a Thangka.
At this time there are 6 people working in the studio. Every person is in a different stage of the process. It makes me very excited to be able to see all these steps towards making the Thangka.
Thangka means scroll painting. Its a unique and sacred artform depicting Buddhist themes. The origins of Thangka painting lies in Indian Buddhist art, but Nepalese, Chinese and Kashmiri styles have also influenced its development. A Thangka is more than just a work of art. When created properly it is an object of devotion, spiritual practise and a source of blessings for those who create it as well as those who view and meditate upon it.
There are several steps the artist needs to own before a Thangka can be created. Drawing is a very important first step because this defines the image of the deity. After transferring the drawing onto the canvas, inking follows and then painting with natural mineral paint and applying the gold.
Below in the video you can see how I am working on my drawing of Avalokitesvara. Bodhisattva of compassion and the early expression of the eternal Buddha.
This is the result of Avalokitesvara drawing.
Step 2 practising with inking.
I have been planning and looking forward to this moment all year 😀
Here I am, in northern India to learn more about buddhist art and thangka painting. In this center for living buddhist art they are going to teach me the traditional way of drawing and painting buddhist en hindu deities. For the next two months I will learn how to create and get more information about the spiritual practise of devine beings following the north Indian and Tibetan traditions. This artschool is highly recommended for its quality and professional teachings in Buddhist art and Thangka paintings.
When I arrived last thursday, I started with sketching the face of Buddha Sakyamuni to get acquainted with his shape.
Buddha Sakyamuni is the historical Buddha and the initiator of Buddhism. He was born 563 B.C. and given the name Sakyamuni after his birthplace. His teachings of Buddhism where about how to seek peace and happiness, wisdom and discovering truth in one’s own religion.
In creating the deities we work with a grid. This is very important in the process of drawing and sketching as there are a large number of deities with all their own network of lines (grid). By using the grid every detail of the deity can be mastered.
I have been working on my drawing skills for the last week and will be for the next weeks to come. Below you can find pictures of the Buddha drawings I made till today. Keep in mind that each drawing is made with precision and concentration for at least 12 hours each. This might give you an idea how meditative this work can be.
Short video of drawing Avalokitesvara body
What a wonderfull weekend I have had painting in the Mische technique. This is an old way of painting with egg tempera and glaces of oil paint.
In this technique you paint the lightest parts in a picture with white egg tempera and glace colour and depth with oil paint. Every strike on the wood with your brush is made with a lot of attention and devotion. It was amazing how concentrated everybody was working on their own devine painting.
Kuba Ambrose and Vera Atlantia are super teachers they helped me to create a beautifull Icon painted with passion and devotion using the mische technique. This gave me new insights in painting and it will take me to another level of painting my devine beings and spiritual worlds.
I feel very gratefull
You can follow the steps of painting in the pictures below.